The old way of listening was largely a passive process, you pay attention just enough to pick up on the details that allow you to decide what box to place it in. I don't speak Japanese, or at least very little, and have but a painfully limited understanding of the nuances of Japanese culture, so to attempt to engage in this environment on such a superficial level would leave me either void of any comprehension and continuity or overwhelmed by cognitive dissonance. Though I've lived abroad before, I find myself now more deeply embedded in foreignness. European environs reflect a kinship in their cultures to that of the United State, which hearkens back to their common origin. In Japan that is largely not the case, though internationalization has done much to bridge the gap. Whereas in Germany I could at least sound out the words I couldn't yet comprehend, in Japan I am at a loss, for they have not one but two phonetic alphabets, and these have only limited use in writing as most words are written as kanji, Chinese symbols with little to no phonetic correlation at all.
As a result, I find as I enter into this world, the old practice of habitually attaching preconceptions onto the forms in my environment finds no footing, and so I find myself naturally shifting into a space where I let those old habits go and I simply become present to my circumstances. I immerse myself in the experience without becoming entangled in associations. My left-brained tendencies toward linear thought and structured reason recede to give way to a softer and more intuitive fluidity of consciousness. Spoken language becomes music and its written word registers as would a work of art, my attention being drawn as much to the space in between as to the forms themselves.
My brain lets go of thoughts and analysis, opening wide to the full range of possible perspectives. And I find that this foreign world seems to naturally lend itself to this frame of mind. I find it in the temples and shrines with their vaulted spaces holding pockets of serenity within the confines of structures both massive and archaic. They provide an immediate and dynamic contrast to the hustle and bustle of the omnipresent tangle of concrete and modernity. I find it in the gardens that balance cultivated design with natural beauty. I find it in the food that comes prepared to feed the eyes as well as the palette. I see it in written language where words are drawn more than spelled. It shocks the senses out of their ego-driven nether region of the mind into a state of awareness of something more. It awakens something that is capable of seeing beyond the mental boxes, through the veil of assumptions and preconceptions into the very face of what is. It is the very space of consciousness itself, the room out of and into which the thoughtforms emerge and are able to exist.
blue sky is hidden
behind the darkening clouds
sun shines unhindered
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